Eiza Gonzalez ‘She’s Missing’ Interview: She’s Done Playing it ‘Safe’
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Eiza González is simplest part exaggerating when she tells me, “It’s hard not to think I’m selling myself to the devil.” She’s now not essentially relating to her newest position in Alexandra McGuinness’ new movie, She’s Missing, however within the broader, on a regular basis sense of being a Mexican lady making it giant in America. The 29-year-old actress labored her means up the ladder of theatre faculty and telenovelas in her house nation earlier than cropping up in numerous Stateside blockbuster footage—from closing 12 months’s Welcome to Marwen, to this summer season’s Fast & Furious derivative, Hobbs & Shaw. But this present day, her secure upward thrust comes with its personal reminders: What is her accountability to her id? Can she ever break away of it? And what occurs if she does?
These aren’t questions that each and every actor faces. But dip into one’s minority pool—be it throughout gender, race or sexuality—and all of sudden you’re discovering artists who’re held up because the spokesperson for his or her crew. González isn’t seeking to be that. “I have found myself conflicted in a sense,” she says, pausing. “I think proud to be Mexican. However, I believe that how I at all times approached performing was once in a way of, you might be transformative. It’s at all times carried out international, regardless of the colour of your pores and skin or nationality or language you talk. That was once the wonderful thing about it.”
But this universalism isn’t at all times out there while you’re pinned into the similar position. In González’s case? That intended years of having solid for her Latinx id. Not aside from it.
Rarely can we see our personal other folks enjoying anything however Latina.
It’s what González known as her “safe zone,” with the prospective to play Latinx roles for the remainder of her existence. “I thought it’d be interesting to push their boundaries, [and] ask more from myself,” she explains. “I grew up gazing these kind of motion pictures, seeing these kind of American actors enjoying Australian and British enjoying American. I at all times discovered it in reality fascinating why we couldn’t. Rarely can we see our personal other folks enjoying anything however Latina.”
And whilst nobody can precisely get away their race or ethnicity—except, in all probability, they’re altogether white-passing—what González urges for is the facility to play characters past their racial stereotypes. With She’s Missing, the actress has controlled to land herself in a task the place does simply that. In the brand new movie, which hit theaters on Friday, Dec. 20, González performs Jane: A on line casino bartender and rodeo queen hopeful who by no means stops dreaming for extra. Her persona’s id as a Mexican-American is simplest added as a reality, now not center of attention.
“I thought she reflected the true core of what it is to be that girl growing up in a small town with massive dreams, but also no means to achieve them and no idea of knowing how to,” González finds. And it’s the desperation of those goals that makes Jane a frustratingly sophisticated persona: In her pursuit of a larger existence, we meet a girl who’s jealous, sly, at risk of suits of rage—simply up to she is fascinating and protecting. In essence, she is a girl who will get to inhabit the multiplicity of studies incessantly relegated to male characters.
I simply sought after to offer other folks the danger to really feel at ease gazing a girl be who she is.
“I didn’t judge her,” says González of acting the position. “She’s going thru this combination of feelings. The international is fumbling in entrance of her eyes and he or she’s desperately seeking to put it all in combination. I discovered her very unhappy and endearing, and I simply sought after to offer other folks the danger to really feel at ease gazing a girl be who she is.”
If She’s Missing accomplishes the rest, it is that this. Not simplest do audiences undergo witness to Jane’s goals and demons; we additionally stumble upon her pal Heidi (Lucy Fry), a tender lady nonetheless studying the right way to exist on her personal on the planet. Her courting with Jane is mercurial—buddies who “sometimes feel like partners,” says González, on account of the depth in their codependency. Theirs is the type of poisonous, but acquainted female courting we don’t incessantly see performed out in motion pictures.
And whilst She’s Missing indulges of their hazy goals—every now and then to murky impact—it does ship a transparent imaginative and prescient of what womanhood may also be like in America nowadays. Who says a Mexican actress like González can’t get us with reference to that standpoint, in spite of everything?
She’s Missing is in theaters now. Watch the trailer under.